高中 | 细节题 题目答案及解析

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细节题

MUSEUMS used to stand for something boring and barely relevant to real life. Those kinds of places still exist, but there are far fewer of them, and the more successful ones have changed out of all recognition. To be sure, museums remain showcases for collections and warehouse of valuables, but they have also become pits of popular debates and places where children go for sleepovers. They are no longer places where people look on in fear but where they learn and argue, as they would at universities or art schools. Nicholas Serota describes the museum as “a forum as much as a treasure box”.

Statistics suggest that new-look museums are doing something right. Globally, numbers of museum goers have risen from around 23, 000 two decades ago to at least 55, 000 now. On the face, that success seems surprising. People now have more choices to enrich their life. Many travel to see the world, but mostly the world comes to them, conveniently delivered to their laptops or smartphones. So why would they still wander round museums if most of the stuff they can see there is available at the click of a mouse?

Some of the now enthusiasm is explained by changes in demand. Today, the share of people receiving higher education is rising. Surveys show that better-educated folks arc a lot more likely to be museum-goers. They want to see for themselves where they fit in the wider world and look lo museums for guidance. For young museum-goers, they are looking for something authentic and real as the online viewing loses the sense of closeness.

A century ago, Benjamin Ives urged museums to treat themselves as having a holy purpose. Collections should be considered for their artistic qualities alone, he argued, with no need for narrative, context or explanation. “A museum of art”, he wrote, “is in essence a temple.”

Not all of what Ives stood for has been swept away. But today museums offer narratives in their exhibitions, provide a context for objects by linking them to people and places, through which they serve the public. They are fully aware that their ultimate attraction lies in the fact that they exist in order to respond to the public appeal. Some people may fear that what goes on in museums is getting too close to being humble. But modern museum goers like being pleased, and are likely to drift away unless museums can relate with them both intellectually and emotionally.

By describing the museum as “a forum as much as a treasure box”, Nicholas Serota implies that                 .

["

museums now display objects much relevant to life

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museums provide chances for discussion and store precious objects

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the value of the objects kept in museums causes debate

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museums regard sleepover visitors as new treasure

"]
[["B"]]

推理判断题。根据第一段 “To be sure, museums remain showcases for collections and warehouse of valuables, but they have also become pits of popular debates and places where children go for sleepovers. They are no longer places where people look on in fear but where they learn and argue, as they would at universities or art schools. (诚然,博物馆仍然是收藏品的展示场所和贵重物品的仓库,但它们也成为了热门辩论的场所和孩子们过夜的地方。它们不再是人们恐惧地看着的地方,而是他们学习和争论的地方,就像他们在大学或艺术学校那样。)” 可知,尼古拉斯·塞罗塔将博物馆描述为 “一个论坛,也是一个藏宝箱”,暗示博物馆提供了讨论和储存珍贵物品的机会。故选B。

Which of the following statements is TRUE according to the passage?

["

Availability of varied kinds of entertainment draws former museum goers.

","

Less-educated people reject museums because they can’t fit in the wider world.

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Young museum goers prefer in-person visit to virtual enjoyment.

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Museums are rated according to the artistic qualities of their collections.

"]
[["C"]]

判断正误题。根据第三段 “For young museum-goers, they are looking for something authentic and real as the online viewing loses the sense of closeness. (对于年轻的博物馆观众来说,他们正在寻找一些真实的东西,因为在线观看失去了亲近感。)” 可知,C选项 “年轻的博物馆观众更喜欢亲自参观而不是虚拟享受。” 正确。故选C。

The primary charm of today’s museums is that                 .

["

they try to attach emotion to the artistic objects

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they try to offer various forms of art viewing

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they try to keep a safe distance from the public

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they try to satisfy the needs of the public

"]
[["D"]]

细节理解题。根据最后一段 “They are fully aware that their ultimate attraction lies in the fact that they exist in order to respond to the public appeal. (他们充分意识到,他们的最终吸引力在于他们的存在是为了响应公众的呼吁。)” 可知,当今博物馆的主要魅力在于它们努力满足公众的需要。故选D。

Which of the following is the possible title of the passage?

["

Museums, placing the public first now

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Museums, outdated but surviving

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Museums, conflicting to modern entertainment

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Museums, their history and value

"]
[["A"]]

标题概括题。根据最后一段 “But today museums offer narratives in their exhibitions, provide a context for objects by linking them to people and places, through which they serve the public. They are fully aware that their ultimate attraction lies in the fact that they exist in order to respond to the public appeal. (但今天,博物馆在展览中提供叙事,通过将物品与人物和地点联系起来,为它们提供一个背景,通过这个背景,它们为公众服务。他们充分意识到,他们的最终吸引力在于他们的存在是为了响应公众的呼吁。)” 结合文章主要说明了博物馆的作用以及如今博物馆为了吸引更多人参观努力迎合大众需求。可知,A选项 “博物馆,现在把公众放在第一位” 最符合文章标题。故选A。

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